3 Tips to Stand Out as an Entertainer

In For Entertainers & Performers by jcsum0 Comments

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This article offers 3 tips to stand out as a entertainer, regardless of your art or craft. The tips are simple in concept but also quite difficult to execute but nevertheless possible.

Whether you are a magician, circus performer, instrumentalist, musician or variety artist, all performing artiste entertainers need to find ways to distinguish themselves and brand themselves to stand out in their field… just like any professional business, product, service or organization.

Tips to Stand Out

Alesya Gulevich, Hula Hoop Artist (www.hulahoopartist.com)

Develop truly UNIQUE content that sets you apart from anyone else in the world

To be successful at a high level, you need to differentiate yourself from others in your field. When you first start out, you have to be different from other similar performing artistes in your region, then expand to your country, neighbouring region and eventually the rest of the world.

I have suggested 10 ways that performing artistes can be original and differentiate themselves from others here.

For magic specifically, I cringe everything I see young performers performing a “copycat” acts or “strongly inspired” acts that look like known performers’ act or types of acts that everyone is doing. The cane, silks, parasols, doves, kabuki/ snowstorm template act ran its course a few years ago, but magicians are still doing the same old things. Imagine, if all that time, effort and money was put into developing an original act!

Hopefully, this cold hard fact will motivate non-original performers to try something different. You will not achieve mainstream commercial success at a high level with a non-original act. Changing the colours of the birds or silks makes no difference.

If you have a hard time being original with your content, here is some good news! You can still differentiate yourself without necessarily being original (in the traditional sense). What I’m saying is that you can be unique even if your content is not original but your presentation, packaging or medium of your content is.

For example, if you are photographer, the most obvious example of being unique is to take photographs that are different or with a special technique that produces unique photographs. But a photographer who takes quality “standard” photos can be unique if he/ she finds an original way to showcase his/ her photos.

Imagine that if instead of showcasing his/ her photos in a traditional art gallery that tends to be visited by a niche crowd, the photographer’s works are exhibited in the toilet stalls of a popular fast food chain. This unique showcase venue will help the photographer get noticed by more people and have greater impact than if he/ her were to go the traditional route.

Of course, your ultimate goal should be to develop original content but an approach like this will help buy you some time and build a brand of being creative or embracing a culture of innovation.

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You must have a commercial and marketable image/ style that the mainstream public/ media will accept

This seems like common sense but many entertainers forget this. As an entertainer, you have to appeal to not just the core audience that sees/ experiences your work but a majority of people that might not even have any direct contact with you and even people who have not even seen your work but whose opinions matter.

While “artists” may only want to make themselves happy and expect audiences to appreciate what they the “artists” want to do, the performing artiste has to ensure they can reconcile their own artistic aspirations and integrity with what the mass public/ media likes. The first step, of course, is knowing who you have to appeal to as an entertainer. I explored this important topic here.

You can’t please everyone and should not try. But, as an entertainer, you must appeal to a large percentage of the masses or to the small but powerful group of people who influence buying, media and public perception. Show producers and talent bookers literally make decisions within a minute of seeing an entertainer and determining if they have the “X Factor” that they are looking for. The space between bland and too extreme is grey and you have to figure out what may be considered to “vanilla” to be different and too extreme that is not palatable by the masses or powers to be.

Constantly Develop your Knowledge

A couple of weeks ago, I worked with 12 young magicians for the filming of an online TV series . The ones who I think have the most potential are the ones who have a wide knowledge of magical techniques, magicians, magic history and products in the marketplace. If you are a specific type of magician like an illusionist, you must be in the top bracket of your illusion craft in terms of illusion knowledge, techniques, design, staging and wide knowledge on all other illusions/ illusionists in the world.

Regardless of your art or craft, extensive domain knowledge is vital. I have yet to see any top entertainer of any field who is not knowledgeable in their field. As an entertainer, you have to constantly develop and expand your knowledge; in your own field and all related fields. It is a lifelong learning process you have to be up to date with the latest techniques, approaches and trends in your field, in order to stay relevant and current.

It does surprise me sometimes how uninformed or narrowly-informed some entertainers are. The irony is that many know they should be better educated but don’t and at the same time do not understand why they are not as successful as they think they should be.

 

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